Edgar WrightEvery podcast appearance, updated as new ones drop

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 160 Sam is joined by filmmaker Edgar Wright , director of Shaun of the Dead, Hot Fuzz , Baby Driver and Last Night in Soho. His latest movie The Running Man is out now on Blu-ray and DVD. Edgar has chosen The 10th Victim [La decima vittima] (92 mins). Directed by Elio Petri, the Italian sci-fi comedy stars Marcello Mastroianni and Ursula Andress. Sam and Edgar discuss the importance of physical media, how The 10th Victim is probably the first film about reality TV, and how the movie went on to inspire the Austin Powers movies. Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Rate and review on Apple Podcasts and Spotify . Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky: @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements . Edited and produced by Louise Owen . Guest star Edgar Wright . Additional editing and sound mixing by @lukemakestweets . Music by Martin Austwick . Artwork by Sam Gilbey . We are a proud member of the Stripped Media Network.

On the December 31, 2025 episode of /Film Weekly, /Film editor Ben Pearson is joined by several people to talk about Marty Supreme, discuss Song Sung Blue and present an interview with director Craig Brewer, and chat about The Running Man and present an interview with Edgar Wright. (~02:41) Marty Supreme conversation Marty Supreme Review: Timothée Chalamet Is A Force Of Chaos In Josh Safdie's Phenomenal Ping Pong Dramedy (~25:30) Song Sung Blue discussion How Much Of Song Sung Blue Is A True Story? Here's The Truth (~35:24) Craig Brewer interview (~44:34) The Running Man chat The Running Man Review: Glen Powell's Charm Can't Keep This Edgar Wright Action Pic From Stumbling (~48:04) Edgar Wright interview All the other stuff you need to know: You can find more about some of the stories we mentioned on today’s show at slashfilm.com, and linked in the show notes. You can subscribe to /Film Weekly on Apple Podcasts , Overcast , Spotify , or wherever you get your podcasts. Check out patreon.com/popcultured to hear more from many of the folks you heard on this episode! Send your feedback, questions, comments, concerns, and mailbag topics to us at bpearson@slashfilm.com . Make sure to leave your name and general geographic location in case we mention your e-mail on the air. Don’t forget to take a minute to rate and review the podcast on Apple Podcasts or Spotify - that helps us out a lot. And tell your friends about the show! Check out BetterHelp: https://www.betterhelp.com Check out Aura.com: <a href="htt

Today on the show – Edgar Wright is back! The Running Man is his new Stephen King adaptation, co-written with Michael Bacall, and on this week’s show, the three of us run for our lives through the reality TV dystopia of that movie, and its creation. The film is a new take on the 1982 novel of the same name, and imagines an America in a state of national calamity. The economy is in ruins. Violence is on the rise. Corporations rule everything. And authoritarian brutality has become primetime entertainment in the form of a gameshow in which cash-strapped contestants are hunted down and dispatched as a form of TV spectacle. The longer you survive, the more money you make for the loved ones you’ll soon be leaving behind. But of course, if you somehow manage to make it through thirty days alive, you can return to that family, one billion dollars richer. Edgar and Michael are no strangers to the sort of kineticism inherent in a premise like that. Edgar is of course the filmmaker behind breathless popcorn classics such as Shaun Of The Dead, Hot Fuzz and 2017’s Baby Driver. Michael meanwhile is the writer behind both 21 and 22 Jump Street – two of the best action comedies in recent decades. The Running Man sees the pair – who previously worked together on the script for Scott Pilgrim Vs The World – back at maximum velocity and bringing the noise. In the spoiler conversation you’re about to hear, Edgar and Michael tell me about the overlaps they found between the 2025 that King predicted and our own real-life version (the original novel was set in our present day). We talk about the anger that drives their protagonist in this tale, Ben Richards, played by Glen Powell. And, with A.I such an integral part of the malevolent Network and their manipulation of the public in this tale, I was also curious to ask Michael and Edgar where each of their heads are at, in terms of that technology and the slow, dangerous creep of it into our moviemaking landscape? Script Apart is hosted by Al Horner and produced by Kamil Dymek . Follow us on Instagram , or email us on thescriptapartpodcast@gmail.com. To get ad-free episodes and exclusive content, join us on Patreon . Get coverage on your screenplay by visiting ScriptApart.com/coverage . Advertising Inquiries: https://redcircle.com/brands

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 112 Sam is joined by writer and director Edgar Wright ( Shaun Of The Dead, Scott Pilgrim Vs. The World, Last Night In Soho ). Edgar is also a world-class cineaste. He joins Sam to discuss his top ten under 90 minute movies watched in 2023. It includes a mix of new releases, as well as some old favourites - none of which have been picked on the podcast before! Edgar and Sam discuss Dance Craze (85 mins), The Thing From Another World (87 mins), Smoking Causes Coughing (80 mins), The Ruins (90 mins), Sisu (90 mins), Harold and Maude (91 mins), Bottoms (91 mins), The Purple Rose Of Cairo (82 mins), Fallen Leaves (81 mins), and Stop Making Sense (88 mins). During their conversation, Edgar and Sam namecheck over 100 films! See how many you've watched on our Letterboxd list for this episode. Thank you for downloading. We'll be back in a couple of weeks! You can show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you! Website: 90minfilmfest.com Tweet: @90MinFilmFest Instagram: @90MinFilmFest We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements . Edited and produced by Louise Owen . Guest star @edgarwright . Additional editing and sound mixing by @lukemakestweets . Music by @martinaustwick . Artwork by @samgilbey . Bonus link: Listen to Emma Seligman's episode about Krisha .

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich. The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games. Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then. In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James. Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards. It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career. Please enjoy my conversation with Edgar Wright. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .

In this spooky episode for the Halloween season, Director Edgar Wright (SHAUN OF THE DEAD, HOT FUZZ, LAST NIGHT IN SOHO) returns to the show to share a list of 10 Underrated British Horror Films for you to enjoy in October! As mentioned at the end of the episode, we do recommend checking out Edgar's new BBC MAESTRO online course on Filmmaking here: https://www.bbcmaestro.com/courses/edgar-wright/filmmaking This episode is sponsored by MUBI! Get 30 days of great cinema free at https://mubi.com/purecinema (and we'd love it if you would give them a try!) You can help support this show by going to: https://www.patreon.com/purecinemapod Follow the Show on Twitter: twitter.com/purecinemapod Instagram: www.instagram.com/purecinemapod/ and Facebook: www.facebook.com/purecinemapod/

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich. The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games. Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then. In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James. Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards. It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career. Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support .

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Deadand Blockbuster hit,Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich. The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games. Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then. In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James. Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards. It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career. Please enjoy my conversation with Edgar Wright. Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support .

Today we’re joined by none other than Edgar Wright and Krysty Wilson-Cairns. Krysty you’ll remember from our recent episode on the fantastic 1917. Edgar, meanwhile, is one of British cinema’s best-loved blockbuster auteurs – the writer-director behind movies like Baby Driver, Scott Pilgrim and of course, his Three Colours Cornetto trilogy with Simon Pegg (Shaun of the Dead, Hot Fuzz and The World's End). We could spend the next few minutes giving you our glowing appraisal of the pair’s latest film, Last Night In Soho, but Stephen King probably said it best when he tweeted: "This one is special. Time travel with a twist.” As reviews go for your first real horror movie, Krysty and Edgar couldn’t ask for much better than that. Yes, Last Night In Soho is a horror movie. But it’s also a time-travel movie, an ode to ‘60s Soho and a brutal dismantling of British pining for “the good old glory days” that politicians and cultural commentators love to invoke. It follows Eloise, an aspiring fashion designer played by Thomasin McKenzie, who moves to London for uni and forms a seductive, supernatural connection to a girl in ‘60s Soho – Sandy, played by Anya Taylor-Joy. Full of intrigue and surprises, the film packs all the directorial flair and storytelling invention we’ve come to expect from Edgar, and all the powerful characterisation and dramatic tension that are becoming Krysty's calling cards We spoke to the pair to hear how Edgar pulled on his mother’s own experience of supernatural phenomenon to help craft the story, how Krysty approached the infuriatingly relevant issue of exploited women in the script and the subtle condemnation of Brexit that this movie may or may not have simmering under its surface. The pair asked to not delve too deep into the movie’s ending as they want to allow people to form their own conclusions for now, but otherwise this is a spoiler-filled conversation, so be sure to check out the movie before tuning in. Oh and one last thing – stay tuned to the end of the episode for an exclusive sneak peek at a brand-new podcast from the Script Apart team! How I Write is a show in which great screenwriters reveal their step-by-step creative process, from outline to the finish line on incredible TV shows and movies. ** Click here to subscribe to our new show How I Write! ** Support for this episode comes from Screencraft and WeScreenplay . Script Apart is a podcast about the first-draft secrets behind great movies. Each episode, the screenwriter behind a beloved film shares with us their initial screenplay for that movie. We then talk through what changed, what didn’t and why on its journey to the big screen. The show is hosted by Al Horner and produced by Kamil Dymek , with music from Stefan Bindley-Taylor. Follow us on Twitter and Instagram , or email us on thescriptapartpodcast@gmail.com. Get a free digital copy of the Script Apart Magazine by supporting us on Patreon ! 51 pages of interviews with great screenwriters, including exclusive conversations you won't find anywhere else. You can also now support the show on Ko-Fi . Support the show Advertising Inquiries: https://redcircle.com/brands

The director’s latest, the psychological horror movie ‘Last Night in Soho,’ is out in theaters. Sean is joined by The Ringer's Rob Harvilla to talk about Wright's fascinating career and their favorite Edgar Wright films, including 'Scott Pilgrim vs. the World,' 'Shaun of the Dead,' and 'Baby Driver.' Then, Sean talks with Wright himself about how he crafted his new movie, his career, and the movies he loves. Hosts: Sean Fennessey Guests: Edgar Wright and Rob Harvilla Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the house, today is the iconic screenwriter and director, of Scott Pilgrim vs. the World, Shaun of the Dead and Blockbuster hit, Baby Driver, Edgar Wright. Edgar has been on the scene making and writing satirical genre films, while also acting for almost thirty years. He’s here today to talk about his most recent and upcoming film, Last Night In Soho. It is set for release on October 29, 2021, and stars the Queen’s Gambit star, Anya Taylor-Joy. The “Last Night in Soho” title is taken from a song by those Tarantino soundtrack favorites Dave Dee, Dozy, Beaky, Mick & Tich. The film’s plot: Eloise, a young woman with a passion for fashion design and a strange sixth sense, finds herself transported back in time to 1966 London in the body of an iconic nightclub singer of the era named Sandie. While in Sandie's body, Eloise begins a romantic relationship; but she begins to realize that Sandie's life in the Swinging Sixties is not as glamorous as it appears to be and both past and present begin to fall apart with horrifying consequences. Edgar is the ultimate creator. He’s worked across several genres of entertainment besides films. Some of the said expansion includes television, and music videos production, as well as video games. Like most up-and-coming creators and filmmakers, we start off on a budget. Edgar began making independent short films around 1993 before making his first feature film A Fistful of Fingers in 1995. Some other projects he created and directed are the 1996 comedy series, Asylum, the 1999 sitcom, Spaced, and about twenty-plus others since then. In 2017, he made waves at the Box office with Baby Driver, grossing $226 million globally. The commercial success of the film was due to the positive word-of-mouth support and flagging interest in blockbuster franchises. Baby Driver starred Ansel Elgort, who played the role of a getaway driver seeking freedom from a life of crime with his girlfriend, played by Lily James. Other A-list actors joined the supporting cast of the film-- the likes of Jon Hamm, Eiza González, Jamie Foxx, and Jon Bernthal. The Sony Pictures distributed film earned numerous nominations; including three Academy Awards, two BAFTA Film Awards, and two Critics' Choice Awards. It was exciting chatting up with Edgar about his signature editing style, writing, and the success of his career. Please enjoy my conversation with Edgar Wright, and be sure to check out his film Last Night in Soho which comes out tomorrow. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support .

With Edgar Wright's upcoming film, Last Night in Soho , Adam started a Journey with Edgar Wright! He will be reviewing each of Edgar Wright's films starting with todays review - 2007's Hot Fuzz ! Hot Fuzz stars Simon Pegg, Nick Frost, Timothy Dalton, Jim Broadbent, Martin Freeman, Olivia Coleman and Bill Nighy. Adam is joined by Special Guest - Ryan of the Suit Up Geeks Podcast, we start the episode talking about Ryan's film journey, his short film "Juliet", his love of zombie movies, horror, and the MCU! FOLLOW the Suit Up Geek Podcast - https://www.youtube.com/channel/UCZFp1PK5r423kGniOjIwlcQ Subscribe to the Almost Sideways Podcast on Apple Podcasts , Stitcher , Spotify , YouTube , or Pandora ! If you can't subscribe, listen here . Daly Notes is hosted by Adam Daly and is a part of the AlmostSideways family. Find AlmostSideways everywhere! Website almostsideways.com Facebook https://www.facebook.com/AlmostSidewayscom-130953353614569/ AlmostSideways Twitter : @almostsideways Terry's Twitter : @almostsideterry Zach's Twitter : @pro_zach36 Adam's Twitter : @adamsideways iTunes https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022 Spotify https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m Stitcher https://www.stitcher.com/podcast/almost-sideways-movie-podcast YouTube https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber Pandora https://pandora.app.link/hfYGimTce8

For the Disney+ series WandaVision, cinematographer Jess Hall had the opportunity to create the most avant-garde looking project in the Marvel Cinematic Universe. Jess explored every era of sitcom television to create seven different looks for WandaVision, ranging from the 1950's all the way through the 2000's. Each episode's look came down to researching the film stock, lenses, aspect ratio, the lighting, and whether it was shot with three cameras or a single camera. WandaVision director Matt Shakman was able to give Jess plenty of sitcom television research material and ideas, since Jess did not grow up around American T.V. One of the biggest visual touchstones for Jess for the earliest episodes of WandaVision was viewing a print from the original negative of the 1960's show, Bewitched. He found the black and white image to look warmer than modern day black and white- the contrast in the whites weren't quite as cold. Jess tested a number of vintage lenses and ended up using 47 different lenses over nine episodes, even having Panavision create a set of lenses reconstructed from older lens elements. He also used lighting technology that fit each time period, including early diffusion techniques over the lights to create the look. Jess grew up in England and studied film at St. Martins School of Art, embracing film more as an expressive art form. After graduating, he began shooting shorts and commercials, and then had the opportunity to shoot his first feature film, Stander, with director Bronwen Hughes. Stander is a biopic about a police officer in apartheid South Africa who becomes a bank robber. Jess' next film was Son of Rambow, a coming-of-age story about two boys making a home movie. Jess and Son of Rambow director Garth Jennings went to St. Martins together. Jennings carefully storyboarded the whole movie, but once they were actually shooting, they did not strictly follow the storyboards. Jess credits director Edgar Wright with being the most accurate storyboard-to-execution director he's ever worked with, which is important because Wright likes to work fast with many setups and quick cuts. On the movie Hot Fuzz, Jess accomplished over 30 setups per day, and famously did 50 setups in one day. He would try to light the room simply, and worked with camera operators who were used to shooting fast action movies. For the film Transcendence, cinematographer turned director Wally Pfister asked Jess to shoot his first film as a director, after seeing Jess' work on Brideshead Revisited. Jess was flattered, and found it wonderful to be able to communicate in a technical shorthand and to see up close how another DP works and thinks. Find Jess Hall: http://www.jesshalldop.com/ Instagram @metrorat You can watch WandaVision streaming on Disney+ Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep126/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com YouTube: https://www.youtube.com/channel/UCNQIhe3yjQJG72EjZJBRI1w Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz The post Jess Hall, ASC, BSC: Marvel’s WandaVision, Hot Fuzz, working with Edgar Wright, Wally Pfister and more first appeared on Cam Noir .

It's been a decade since the release of one of the most prescient, purely entertaining movies of the century: Edgar Wright's 'Scott Pilgrim vs. the World.' To celebrate the anniversary, Sean is joined by 'Pilgrim' superfans Jason Concepcion and Van Lathan to break down the best scenes, characters, fights, and lines in the movie (5:01). Then Edgar Wright stops by to talk about the making of the movie and the likelihood of a sequel (47:28). Bread makes you fat?!? Hosts: Sean Fennessey Guests: Jason Concepcion, Van Lathan, and Edgar Wright Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week with talk with writer/director Edgar Wright about his latest film Baby Driver. We also get into all things D23 including new The Last Jedi footage, Avengers Infinity War, The Incredibles 2 and more. We also cover the Geostorm trailer for some reason, Gotham by Gaslight, Suicide Squad 2 and another Hot Scoop. HOT SCOOP. Star Wars The Last Jedi D23 Breakdown: https://goo.gl/z1dBqk Do Go On Pod: https://goo.gl/ZzMEvg 4:30 Geostorm trailer 8:40 X-men: The Next X-men 9:47 Suicide Squad 2 director 12:46 Gotham By Gaslight animated 13:38 Venom movie news 14:51 Han Solo HOT SCOOP 19:21 007, Kong Skull Island & Serious Issues 21:38 Edgar Wright Interview 42:29 D23 2017 1:05:27 Avengers Infinity War Trailer (Homecoming Spoiler 1:08:57 - 1:09:15) 1:13:53 Baby Driver Review (1:20:00 to 1:23:10 Spoilers) 1:23:39 What We Reading/What We Gonna Read 1:27:12 Letters It’s Time For Letters Buy Baby Driver on Amazon: https://amzn.to/2nyq1MQ The Weekly Planet YouTube Channel: https://goo.gl/1ZQFGH Find our T-Shirts here: https://www.teepublic.com/stores/mr-sunday-movies Hosted on Acast. See acast.com/privacy for more information.