Herbie HancockEvery podcast appearance, updated as new ones drop

The Jazz Session No.466 from RaidersBroadcast.com as aired in May 2026, featuring a ‘progress’ through 30+ years of the music of Herbie Hancock. TRACK LISTING: The Kicker - The Horace Silver Quintet; Jackie-Ing - Thelonius Monk; The Maze - Herbie Hancock; Oliloqui Valley - Herbie Hancock; Milenberg Joys - Kenny Ball; I Wish I Could Shimmy Like My Sister Kate - Chris Barber; The Eye of the Hurricane - Herbie Hancock; Tell Me a Bedtime Story - Herbie Hancock; Pretzel Logic - Steely Dan; Long As You Know Yo're Living Yours - Keith Jarrett ft. Garbarek, Danielsson, Christenson; Tidal Wave - Fletcher Henderson; This Year's Kisses - Teddy Wilson, Lester Young, w. Billie Holiday voc.; Ostinato (Suite for Angela) - Herbie Hancock; Watermelon Man - Herbie Hancock; Let There Be Love - Nat King Cole; Early Autumn - Cleo Laine; Jessica - Herbie Hancock; Norwegian Wood - Herbie Hancock; When, Where, How and Why - Courtney Pine; Perverted Pavane – Crossfire.

Matt welcomes producer/engineer/composer Fran Cathcart. Fran having just moved to the Bay Area from New York recounts his journey in studio ownership, working with Herbie Hancock, and facing down serious challenges that would make most throw in the towel, yet he still keeps going. In This Episode, We Discuss: Studio Ownership Herbie Hancock Early Digital Recording Divorce Covid Getting Sued Stress Moving to the Bay Area Links and Show Notes: Fran's Site Matt's Rant: Client Communication Credits: Guest: Fran Cathcart Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith

In this episode of Working Class Audio, host Matt Boudreau welcomes back Cesar Mejia, a longtime friend of the podcast, to discuss his continued journey as an educator, studio owner, and audio professional. Cesar, first featured in episode #117 back in 2017, shares his experiences navigating the post-pandemic world, teaching the next generation of musicians, and balancing life at his studio, Shelter Studios. In This Episode, We Discuss: Cesar Mejia's Return to Podcast : Reflecting on his first appearance in 2017, episode 117, and discussing his journey. Teaching Post-COVID : Cesar talks about teaching at Cal State Dominguez Hills and Whittier College, highlighting changes in student mentality and the shift in teaching due to the pandemic. Students' Musical Preferences : Discussing the differences between students at Dominguez Hills, who are more electronic-focused, and those at Whittier, who are often acoustic musicians. Shelter Studios and Family Property : Cesar's studio, Shelter Studios, is located on family property that he inherited. He is working on possibly expanding the space while keeping the studio comfortable and home-like. Balancing Expansion and Stability : Conversations about the benefits of expanding the studio or staying in the current location and the importance of financial stability. Wiring and Additional Gigs : In addition to teaching and studio work, Cesar occasionally takes on wiring gigs for other studios, keeping his income diversified. Collaboration with Herbie Hancock : Cesar continues to work with Herbie Hancock, especially on tours post-COVID, and handles audio tasks such as mixing stems for live performances. Matt's Rant: Being in Asset Links and Show Notes The Shelter Studios The Shelter on Instangram WCA Episode #117 with Cesar Mejia Credits Guest: Cesar Mejia Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

In this episode of Working Class Audio, host Matt Boudreau welcomes back Cesar Mejia, a longtime friend of the podcast, to discuss his continued journey as an educator, studio owner, and audio professional. Cesar, first featured in episode #117 back in 2017, shares his experiences navigating the post-pandemic world, teaching the next generation of musicians, and balancing life at his studio, Shelter Studios. In This Episode, We Discuss: Cesar Mejia's Return to Podcast : Reflecting on his first appearance in 2017, episode 117, and discussing his journey. Teaching Post-COVID : Cesar talks about teaching at Cal State Dominguez Hills and Whittier College, highlighting changes in student mentality and the shift in teaching due to the pandemic. Students' Musical Preferences : Discussing the differences between students at Dominguez Hills, who are more electronic-focused, and those at Whittier, who are often acoustic musicians. Shelter Studios and Family Property : Cesar's studio, Shelter Studios, is located on family property that he inherited. He is working on possibly expanding the space while keeping the studio comfortable and home-like. Balancing Expansion and Stability : Conversations about the benefits of expanding the studio or staying in the current location and the importance of financial stability. Wiring and Additional Gigs : In addition to teaching and studio work, Cesar occasionally takes on wiring gigs for other studios, keeping his income diversified. Collaboration with Herbie Hancock : Cesar continues to work with Herbie Hancock, especially on tours post-COVID, and handles audio tasks such as mixing stems for live performances. Matt's Rant: Being in Asset Links and Show Notes The Shelter Studios The Shelter on Instangram WCA Episode #117 with Cesar Mejia Credits Guest: Cesar Mejia Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell Announcer: Chuck Smith

Mike and I had a great time talking to Bill Summers (who was in Herbie Hancock's band The Headhunters)! We talk about various drums, his first meeting with Herbie Hancock, and the famous sound Bill created for one of the best known Jazz songs ever ... called Watermelon Man... Bill even demonstrates for us how the sound was created. About Bill: During the 1990s, Summers played with Los Hombres Calientes along with co-leader of the group, trumpeter Irvin Mayfield and Jason Marsalis. However, Summers has a much longer musical career, often working behind the scenes on film scores for various movies such as The Color Purple and the television miniseries Roots with Quincy Jones. He also played with Herbie Hancock during The Headhunters years, and is mentioned in passing by the liner notes of The Headhunters' 2003 release Evolution Revolution as contributing to that recording. Check out the Headhunters newest album (sections of 4 of the new songs can be heard on our podcast) THE HEADHUNTERS - Speakers in the House released in November 2022: Speakers In The House is the legendary jazz-funk ensemble's first new album in 11 years. Co-lead by percussionist Bill Summers and drummer Mike Clark with support from NEA Jazz Master Donald Harrison on alto saxophone, The Headhunters latest studio effort arrives just in time to celebrate this American music institution's 50th anniversary in 2023, having formed around Herbie Hancock's classic recording, Head Hunters, in 1973. An eight-track set available on Ropeadope Records, highlights from Speakers In The House include the New Orleans' second-line grooves of "Rocking At The Mole House," the world music-influenced jazz-fusion of "Kongo Square" and a modern post-bop re-imagination of the classic Headhunters' composition "Actual Proof," first released on their 1974 album, Thrust. Joining Summers, Clark and Harrison for the recording are keyboardist Stephen Gordon and bassist Reggie Washington plus special guests Jerry Z on organ, One Drop aka Scott Roberts on drums, Fode Sissoko on Kora and Ashlin Parker on trumpet. ******** KNOW GOOD MUSIC can be found on Podbean (host site) Spotify, Apple Podcasts, Iheart Radio, Pandora and almost anywhere you listen to podcasts. Visit our YouTube Channel where you can see 3 short video segments from our interviews. Just search "know good music". Thank you for listening! - Jim COPYRIGHT CLAIM: The songs : "WE CALL IT THE BOX" by Bill Summers & Summer Heat / "OVER THE BAR", "STOOP", "STOP WATCH" and "ROCKIN' IN THE MOLE HOUSE" by The Headhunters used with permsission by Greg Lucas

James Genus is an American jazz bassist and currently plays in the Saturday Night Live Band. He has performed as a session musician and sideman throughout his career, with an impressive list of artists including Roy Haynes, David Sanborn, Bob James, Herbie Hancock, Chick Corea, and Wynton Marsalis. James joins the Playful Musician to chat about taking a break from touring and performing during the pandemic. He tells stories about playing with many iconic jazz musicians, including Roy Haynes and Herbie Hancock. James shares his advice for working on time plus how he approaches playing both acoustic and electric bass. We chat about playing with Jeff Watts and the Saturday Night Live Band, and James shares how he prepares for a big gig.

We are back with another One-Off episode. Today on Excellent Reception we are talking about the song " Saturday Night " from Herbie Hancock 1980 album "Monster". Herbie Hancock - Saturday Night

"Ndugu" was born in Shreveport, Louisiana and moved to Los Angeles when he was eight. He began playing drums at age 12 and studied music throughout junior high and high school. While in high school, Chancler played with Willie Bobo, Gerald Wilson and the Harold Johnson Sextet. Chancler graduated from California State University, Dominguez Hills with a degree in music education. Chancler began playing with Hugh Masekela, and also worked with Herbie Hancock, Eddie Harris, and Thelonious Monk. He had brief stints with Miles Davis and Freddie Hubbard, then joined up with the great George Duke. He also performed with Julian Priester, Weather Report and toured with Santana in the mid-'70s, and then formed the band Chocolate Jam Co. Studio work includes Michael Jackson's "Billie Jean". Stanley Clarke, Jean-Luc Ponty, Donna Summer, Patrice Rushen, Hubert Laws, The Crusaders, Frank Sinatra, Lionel Richie, George Benson, The Temptations, Tina Turner, Kenny Rogers, Herbie Hancock and John Lee Hooker. Ndugu has also played on a number of Movie Soundtracks including , “An Officer and a Gentleman”, “Indecent Proposal” and “The Color Purple” As a songwriter Ndugu co- wrote hits for Santana including “Dance Sister Dance”, George Duke’s “Reach For It”, and “Let It Whip” for the Dazz Band. His production credits include Flora Purim, Bill Summers, Toki, Ndugu and the Chocolate Jam Co. Ndugu has co-produced for Santana, George Duke, The Crusaders, Joe Sample, Wilton Felder, Tina Turner and a group he co-leads with Patrice Rushen and Ernie Watts called “The Meeting”. Ndugu Chancler is Faculty at The University Of Southern California in the Jazz Studies and Popular Music Departments.